For my short film, I watched Voice Over by Martin Rosete. This
film was beautifully made. It kept me guessing the entire 10 minutes as to what
was possibly going on. It takes a true creative genius to tastefully keep the
viewer guessing as to what is happening when you have a narrator telling what
is actually “going on.” Throughout the entire film a narrator, quite descriptively,
tells the story of what kind of predicament you, the viewer, have found yourself
in. Whether it’s panicking at the idea of simultaneously trying to get oxygen
while fighting off an alien life form from eating away at your body, or
struggling to find a detonator to save the woman you love at the expense of
dying yourself, or clawing desperately at a rope that is attaching what seems
to be your very life itself to a boat that represents the cold death that
awaits at the bottom of the ocean depths, this movie constantly keeps you on
the edge of your seat, gasping for air. And that is the common denominator in
all of these scenarios; gasping for air. It is only in the end of the film when
the viewer can truly see what this idea of gasping for air is about. You the
viewer are about to have your first kiss and you are nervously gasping for air.
These three scenarios are nothing more than extreme metaphors to show the
feeling that you would feel before that innocent first kiss. When thinking back
on the film, Rosete is a true master at getting the viewer to feel exactly what
he wants the viewer to experience. Over the course of the film, I curiously
found myself physically holding my breath and having painful butterflies in my
stomach. It almost felt as though I was experiencing my first kiss all over
again, I just didn’t realize that that was what I was feeling until the end.
This film is a true example of how literature can play with your emotions
however the author sees fit.
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